The adventures of a red ant: VIII. THE NIGHT MONSTERS – IN A TOOTHPICK
| |

Sugar was not lacking on the commercial port, because I took care not to waste my time on the military port: the balls, the cannons and the rest will always be a pitiful treat for the ants! So here I … Read More

The adventures of a red ant: VI. Resort – The Treasury
| |

If you asked me about my days, I would say that I let them pass in the middle of the most charming races in the woods, the moor and the surroundings. My slaves worked perfectly: our larvae were well cared, … Read More

The adventures of a red ant: V. DEATH OF MY BROTHER – I SAVE MYSELF
| |

For a few days our slaves, digging deep in the cellars of our anthill to enlarge them, had encountered a pile of bizarre matters. It was like a mass of thick tissue; if it had been made of silk, wool … Read More

The adventures of a red ant: IV. The cows of mother Anille
| |

So we like sugar, the confession is made! But our young students love him as much and more than us! It must be filled! In the absence of sugar, they need – this is more respectable – sweet and sweeten … Read More

The adventures of a red ant: Interior details
| |

Alas! Alas! I realize that I drive from stranger to stranger and that, after explaining who we are, we, one of the great nations among the ants, I must now explain what is an expedition of cows. This explanation is … Read More

Heterotopia of the film Solaris directed by Andrei Tarkovski
| |

  Jonathon Rosenbaum notes that Tarkovsky’s Solaris, (Andrei Tarkovsky 1972) unlike Lem’s novel, (Lem 2012) is rather anti-science fiction than science fiction. (Rosenbaum 1990, 60) Rosenbaum suggests that while the film is denying our archetypal space travel, the main concern … Read More

Psychology of the film Solaris directed by Andrei Tarkovsky
| |

Tarkovski’s film is a drama of pain and partial recovery centered on the psychology of the Solaris station crew. Tarkovski wanted to address this way the deeply emotional and intellectual science-fantastic genre, considered by him to be superficial. The film … Read More

Sculpting in Time, with Andrei Tarkovsky
| |

Tarkovsky opposed to the movie editing and considered that the basis of the art of cinematography (movie art) is the internal rhythm of images. He considers cinema as a representation of distinctive currents or time waves, transmitted in the film … Read More

Art and attention to the sensitive
| |

 (Paul Cézanne, The Card Players 1892-95) Art is not content to copy nature. However, he does not turn away from her, but goes back to the source. In Cézanne’s painting, Merleau-Ponty reminds us, it is never about color as a … Read More

Aesthetics and philosophy of art
| |

The philosophy of art designates both the almost constant interest of philosophers for art since antiquity and a discipline more or less conceived as autonomous since the end of the eighteenth century. For the historian of philosophy Michel Blay, two … Read More

Performance art
| |

(Bryan Zanisnik, performance of “When I Was a Child I Caught a Fleeting Glimpse”, 2009. ) An artistic performance is a behavioral artistic action undertaken by an artist(s), in front of an audience. The work can be presented in solo … Read More

Evolutionary art
| |

(An image generated using an evolutionary algorithm) Evolutionary art is a form of generative art in which works of art from the visual arts, music and performing arts are created using evolutionary algorithms. Evolutionary algorithms are methods for solving optimization problems using the principles of natural evolution. By conceiving of artistic processes as an optimization, can be … Read More

1 2 3 4 5 33